![]() ![]() As a result, Gemini Man has had to go through some changes since it was first conceived. Just as it was with The Hobbit films, this type of shooting is not a good fit for effects-laden CGI movies. Ultimately, Ang Lee was picked to direct the movie in 2017 and he went with Will Smith as the films leading man. Any element of realism is almost instantly lost. The sets look like sets, the green screen backgrounds look like green screen backgrounds and Will Smith’s de-aged, CGI double jumps the whole breadth of uncanny valley. The use of 120 fps High Frame Rate 3D lends the film an interesting aesthetic at first, but once the action sequences and effects-heavy scenes begin to ramp up, it only serves to hinder proceedings and make everything look disappointingly manufactured and fake. Some of this would be forgivable if the story embraced the plot’s ridiculousness and didn’t play everything so straight, but the screenwriters never once indulge in this. Yukio is living a charmed life: he is a respected young doctor with a successful practice and a beautiful wife. Worse still, the younger version of Smith’s character never feels like a credible threat, stripping the film of its tension and rendering the point of the whole shebang somewhat pointless. A successful doctor, Yukios picture perfect life is gradually wrecked, and taken over by his avenging twin brother, who bumps off his family members one by one and reclaims his lover who is now Yukios wife. 'Twins') is a 1999 horror film by Shinya Tsukamoto, loosely based on an Edogawa Ranpo story, which pursues his theme of the brutally physical and animalistic side of human beings rearing its ugly head underneath a civilized veneer, present in previous films like Tetsuo: The Iron Man (1989) and Tokyo Fist (1995), in what is a new territory for. Plot contrivances aplenty rear themselves throughout, all building to a twist that isn’t in the least surprising or remotely satisfying, before simply ending on some unearned schmaltz. The true issue behind this no doubt lies within the script, a dated and plodding tome that contains awful dialogue and cringe interactions by the bucketload. The occasionally inventive shots do little to distract from what is, quite honestly, beneath him, whilst his lead actor is perhaps at his most bland and un-charismatic (something which always seemed impossible for a genuine star like Will Smith). Though it has moments of flair that show-off the Oscar-winning maestro’s talents, it ultimately feels painfully average in comparison to previous studio films from Lee. Make no mistake, Gemini Man is easily the most generic and dull movie Ang Lee has ever made. The assassin they send to kill him? A younger clone of Henry (also Smith)! Cue shock and horror! ![]() Gemini Man concerns 50-something assassin Henry Brogan ( Will Smith) who finds himself pursued by both his former agency and a top-secret black ops unit code-named “GEMINI”. Challenging is certainly a word that best describes Gemini Man, though that’s more to describe the experience of sitting through it! The extra fidelity makes the shaky-cam action nauseating, draws greater attention to the more risible dialogue exchanges, and highlights moments of creaky CGI.Having already sharpened his claws bringing a convincing CGI Tiger to life in the sublime Life of Pi (2012), director Ang Lee is back with another challenging effects-heavy movie. As with the dreaded motion smoothing effect on HD TVs, everything appears too real and too artificial at the same time - giving an expensive Hollywood blockbuster all the visual sheen of an episode of Hollyoaks. Gemini Man was shot at 120 frames per second rather than the standard 24, and while the filmmaker’s preferred ‘3D+’ format promises smoother action and greater detail, it instead fundamentally dismantles any suspension of disbelief. The action doesn’t hit the mark either - despite moments of visual flourish, the film’s chases and shoot-outs are punctuated with dodgy physics and unintentionally laughable moments (Junior has a tendency to flip around in odd bouts of overly acrobatic parkour).Īll of these flaws are only accentuated by the film’s high-frame-rate presentation. The film’s chases and shoot-outs are punctuated with dodgy physics and unintentionally laughable moments.Įventual director Ang Lee was perhaps drawn to Gemini Man’s blend of espionage-thriller action and more cerebral sci-fi soul-searching - but the emotional potential in a regretful old man literally confronting his younger self and trying to put him on a better path is squandered by clunky, on-the-nose dialogue.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |